This refers back to the second epilogue of Julia Quinn’s Regency-era romance novel, The Viscount Who Liked Me. Epilogues typically serve to supply closure after a narrative’s climax, typically providing glimpses into the longer term lives of the primary characters. A second epilogue suggests an extra layer of narrative closure, doubtlessly addressing unresolved plot factors or offering additional perception into character improvement past the preliminary conclusion.
Throughout the context of romance novels, epilogues maintain specific significance. They solidify the happily-ever-after, a core trope of the style, and fulfill readers’ need for a conclusive decision to the central love story. A second epilogue amplifies this satisfaction, providing a bonus glimpse into the enduring love and happiness of the protagonists. Within the case of a well-liked novel like The Viscount Who Liked Me, which is an element of a bigger collection (Bridgertons), a second epilogue can even strengthen the connection between characters and set the stage for future installments, whether or not immediately associated or specializing in different members of the interconnected social world. This may deepen reader engagement with the collection as an entire.
