This phrase, popularized by E.E. Cummings in his 1926 poem “i sing of Olaf glad and massive,” refers to a selected archetype of girls perceived as intellectually refined, emotionally reserved, and conventionally correct, typically related to the tutorial and social setting of Cambridge, Massachusetts, and extra broadly, with a sure stratum of educated, upper-class ladies within the early to mid-Twentieth century. The poem makes use of this picture satirically, contrasting their outward composure with a perceived lack of real emotional depth or connection to the realities of life. Cummings’s depiction suggests these ladies prioritize appearances and social decorum over genuine expertise.
The enduring impression of this phrase lies in its evocative critique of social conformity and the potential vacancy behind a faade of intellectualism and propriety. It captures a particular cultural second and gives a lens by means of which to look at gender roles and social expectations of the period. Understanding the historic context of the poem and the societal norms it challenges illuminates the continued relevance of exploring themes of authenticity and self-expression. The phrase serves as a reminder of the significance of wanting past superficial appearances and interesting with the world on a deeper, extra significant stage.